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Edu Lobo - Sergio Mendes Presents Lobo (1970/2000) [Latin Jazz]; FLAC (tracks)

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Mike1985
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Edu Lobo - Sergio Mendes Presents Lobo (1970/2000) [Latin Jazz]; FLAC (tracks)

Unread postby Mike1985 » 02 Jul 2024, 12:18


Artist: Edu Lobo
Album: Sergio Mendes Presents Lobo
Genre: Latin Jazz
Label: Verve
Released: 1970/2000
Quality: FLAC (tracks)
Tracklist:
  1. Zanzibar 04:06
  2. Ponteio 03:03
  3. Even Now 02:13
  4. Crystal Illusions 06:13
  5. Casa Forte 03:38
  6. Jangada 02:24
  7. Sharp Tongue 02:16
  8. To Say Goodbye 04:42
  9. Hey Jude 04:13

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    Personnel:
  • Edu Lobo – arranger, conductor, guitar, vocals
  • Oscar Castro-Neves – guitar
  • Hermeto Pascoal – arranger, flute, piano, electric piano
  • Gracinha Leporace – vocals
  • Norm Herzberg – bassoon
  • Ronald Cooper, Ray Kramer, Kurt Reher, Eleanor Slatkin – cello
  • Sebastião Neto – double bass
  • Airto Moreira – percussion
  • Claudio Slon – drums
  • Sergio Mendes – arranger, producer

Edu Lobo is (unjustly) one of the least-celebrated of the major songwriting lions of the first Brazilian wave, and a talented performer in his own right -- which his first North American album makes stunningly clear. Painstakingly produced by one of Lobo's most persistent advocates, Sergio Mendes, the album overflows with cunningly devised, first-class tunes like "Ponteio," "To Say Goodbye," the marathon "Crystal Illusions," "Casa Forte," and the irresistible "Jangada." Some have Portuguese lyrics, some are in English, but others simply use sharp scatted syllables, an art at which the low-key but nimble-tongued Lobo excels. The material is so strong that one wonders why the Beatles' "Hey Jude" had to be added to the lineup (presumably in an attempt [failed] to attract a wider audience for the record). The backings strip the base of Sergio Mendes' Brasil '66 sound down to its rhythm section, fortified by the playful and enigmatic electric piano and flute multiphonics of Hermeto Pascoal (who also had a big hand in the arrangements), Airto Moreira's multifaceted percussion talents, and an occasional cello quartet. Collectors of Brazilian jazz should seek this one out; it is absolutely essential.
Review by Richard S. Ginell

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