Artist: Sam "The Man" Taylor
Album: Swingsation
Genre: Jazz-Pop, Swing
Label: Verve Records
Released: 1999
Quality: FLAC (tracks)
Tracklist:
- Cloudburst 02:31
- The Big Beat 02:48
- Let's Ball 02:38
- Oo Wee 02:24
- Fish Roll 02:29
- Look Out 02:40
- Sam's Blues 02:32
- High Winds 02:50
- The Boss Is Home 02:45
- Ride Sammy Ride 02:37
- Real Gone 02:54
- Do-A-Lu 02:50
- Taylor Made 02:34
- Road Runner 02:28
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- Personnel:
- Alan Freed - Bells, Shouts
- Elmer Crumbley - Trombone
- Haywood Henry - Sax (Baritone)
- Leroy Kirkland - Guitar
- Lloyd Trotman Bass
- Panama Francis - Drums
- Sam "The Man" Taylor - Sax
Like fellow saxophone player Hal Singer, Sam "The Man" Taylor" moved easily between jazz and Rhythm and Blues (with early rock and roll overtones), although his rough, hard driving way with the horn usually finds him classified as an R&B icon. This bargain-priced album goes a long way to support the R&B labeling. Joined by another sax player who often found himself moving between jazz and R&B, baritone Haywood Henry, this album catches Taylor in three sessions he made for MGM Records in March of 1955 and November of 1956. In addition to Henry he is joined by other habitues of the R&B world like Lloyd Trotman on bass and Freddie Washington on piano. Among the tracks which show off Taylor's unique ways with the sax are "Ride, Sammy, Ride" where Taylor is urged on by the band shouting the title line, and a blues dripping "Sam's Blues." There's some yakety - yak al la Boots Randolph on "High Winds" which also features a rousing give and take between Taylor and Henry. With the exception of Henry and some occasional choruses by Freddie Washington, this album is pretty much Taylor's show. Little room is made for any of the other participants to solo. While this album is an excellent vehicle to show off the talents of a foremost R&B sax player, it also demonstrates that this sax style with its one-dimensional approach to the art of the sax wears thin very quickly. This is an interesting, but not a major reissue. However, it shows Taylor as he was before he started making romantic albums in the 1960's like The Bad and the Beautiful.
Review by Dave Nathan